
On the road home.
Diego shares a road-side check-in on the way home.
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Every dispatch from the road in order. Bilingual EN/ES with location context. Sponsor and song tags appear inline where relevant.

Diego shares a road-side check-in on the way home.
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Juan marks a successful Charro250 production and thanks Tony Lama for being part of the special project.
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Diego reflects on the production wager of reaching the Monument Valley area in early summer, where the heat became part of the story across both production days.
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Juan wraps Day 2 on location by reviewing the shots with the team, capturing one of those small interactions that says everything about the production.
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Diego checks in from Roswell, New Mexico, where the road heat is already at 35 degrees Celsius. He notes that a few more days in Monument Valley would have made the conditions very complicated for everyone.
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Diego sends thanks from Mexican Hat as the Charro250 road continues through southeast Utah.
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CHARRO 250 coming soon!
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Diego marks the road from southeast Utah after a very hot and tiring day.
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First location on shoot day one is pretty awesome down by the river. 🤠 🎥
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After a hot, tiring day, Diego is still surprised by the beauty around him and the reminder that life is meant to be lived outside the screen.
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Coffee and breakfast before our first day of production.
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Via Route 66. The journey continues.
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Diego reflects from a Monument Valley morning on the way fear and doubt fall away once the day begins and the work is in motion.
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Juan met up with the crew and officially met Aaron and Julie before an outdoor table read outside the hotel in the Bluff area.
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Diego marks a new Charro250 location from the Bluff area in southeastern Utah.
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Diego shares a pre-production meeting from the Bluff area in southeastern Utah.
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Sandstone desert formations and a fence line sit under big clouds near Navajo Nation in northern Arizona.
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Yuliza crosses the Arizona and Utah border corridor, continuing the Charro250 route north and east.
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On the road to Monument Valley, taking in the scenery between Flagstaff, Arizona, and the shoot location.
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Yuliza heads out from Las Vegas as her Charro250 route turns toward Monument Valley.
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We continue our road toward Monument Valley.
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On the road to Monument Valley.
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Aaron reflects on the road about meeting kind, hardworking, caring Mexican people wherever the Charro250 journey takes him.
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Aaron is back on the road, moving through New Mexico as the Charro250 journey continues toward Monument Valley.
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At the airport awaiting takeoff and getting the show on the road as the Monument Valley shoot gets underway.
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As a kid, I never imagined coffee would mean something more than drinking something bitter and dark. Over time, coffee became the signal that the day is beginning. And on days like today, it is the signal that a new adventure is beginning.
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Maybe we are not fully conscious yet of what we are about to do. It may look like one more project, one more photo, one more video. But to me, it is much more than that. It means bringing together people from different places who chose to believe in this. We are not chasing something personal. We are chasing something collective: to tell a story, to make presence in a place that, 250 years ago, carried another name. Now we are about to become part of that history. To create an image, a memory, a testimony that did not exist before, and that can travel forward to the next generations. That we were there. That the charro was there. That the vaquero was there. That the woman on horseback was there. That the escaramuza was there.
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We keep moving forward... now New Mexico.
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A long day on the road from Austin to Albuquerque, New Mexico, already looking ahead to tomorrow: reaching the Monument Valley area, scouting locations, planning the first shots, and beginning to tell the story of the first vaqueros and charros in those landscapes.
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Picking up some last minute rolls of film to capture some awesome shots of the production and cast & crew. #35mm #kodakgold200 #portra400 #film
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Greetings from Post, Texas.
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Aarón takes a photo with the staff at Los Cerritos restaurant.
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Arrival in Post, Texas, marking a route stop on Charro250's road toward Monument Valley.
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On the road to Post, Texas.
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Wow, we’re online. I’m browsing the Charro250 page and seeing the journey live.
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Getting the gear prepped and packed for the Charro250 shoot in Monument Valley. Leaving Fort Worth in one day.
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Almost everything is ready to begin the trip tomorrow toward New Mexico. I just need a few final pieces for the charro and the escaramuza, and one last check to make sure everything is perfectly ready.
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Day 1. Packing all my gear and props before the Charro250 journey opens west.
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